MusicDish e-Journal - November 23, 2017
MusicDish Advertising Network
» HOME » INSIDER SCOOP » CAREER TIPS » MUSIC SPOTLIGHT » MUSICDISH*CHINA
» INDUSTRY INTERVIEWS » NEWS BEAT » DIGITAL SKOOL » OPEN REVIEW » MUSICDISH EDELWEISS
Search MusicDish e-Journal (Advanced)
Subscribe To MusicDish e-Journal
About | Contact | Advertise | RSS | Submit Article | Submit News | Artist Development | Premium PR Distribution
Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network

A Talk With Tom Silverman On New Music Seminar 2012
NMS has been one of the choice places for music pros and artists to gather and discuss the future of the music industry since its creation in 1980
By Varsha Srivastava
(more articles from this author)
2012-06-17
Comment | Email | Print | RSS

What can one look forward to from this year's New Music Seminar (NMS)? Well, for starters, it's being held in one of the greatest cities in the world: New York. And this year's conferences introduces its very first music Festival, which will take place in 17 venues throughout NYC and Brooklyn from June 17-20. NMS has been one of the choice places for music pros and artists to gather and discuss the future of the music industry since its creation in 1980.

I recently spoke with Tom Silverman, co-founder of NMS, about this year's seminar. First, we spoke about what occupied most of his time after NMS ended its 15 year run in the mid 90's, prior to its revival in 2009. He explained that his record label, Tommy Boy, was the recipient of his efforts during this period because it was "at its height," and after 2002, when the music business was at its "deepest depression," he reestablished it as an independent label.

For this year's NMS, Tom worked with mayor Bloombergs's office to establish New York's first Music Week. "Music started being lured to other cities, so I thought it would be a great idea if we created a little coalition around bringing music back to New York." With this initiative, and being cognizant of the fact that there was a week of a few other music events happening in NYC (such as a2IM Indie Week and Make Music NY), he reached out to the Department of Film, Theater & Broadcasting at the mayor's office and made the recommendation.

For this year's attendees, the hardest task of all will likely be deciding among all of the different choices offered. "There are at least 2 things going on at the same time every time that I want to attend, and many conversations that I want to be a part of," said Silverman. He with his personal 'don't miss list,' including keynote speakers Bob Pittman and Sean Parker, the Crystal Ball Movement, the YouTube movement and SoundExchange's Digital Broadcasting Summit.

In terms of the development and progress of the music industry, Silverman brought to light some past events that will surely change its future; one example being singer/songwriter Amanda Palmer raising over a million dollars from fans on Kickstarter, demonstrating that a single artist can do what major labels did. "If you think about the value of the attention that music creates, and the music brands and artists create, it's enormous," noted Silverman. "I think that if we were able to monetize that efficiently, we could see this music business grow five times over or more."

The world is evolving, technology is advancing, and with it, so are people's attitudes and mentalities. This means that traditional approaches will no longer cut it. This applies in spades to the music industry, and this has been a focus of New Music Seminar. Silverman emphasizes that people need to "stop thinking of themselves as being in the record business and begin to see themselves as being in the creative attention business."

"I want everyone to walk out of the New Music Seminar believing that the US music business can triple in the next decade," Silverman concluded.


Home » Industry Interviews » A Talk With Tom Silverman On New Music Seminar 2012
Permalink:http://www.musicdish.com/mag/?id=13225
Email |Print |Comment |RSS

back | top


MusicDish Advertising Network

Industry Interviews

» 'AIMP Nashville Pubcast' In-Depth Publisher Interview Series

» IZotope Masters Q&A Series, Part 3

» Why Singapore Stock Broker-Turned-Entrepreneur Is Bullish On Asian Pop

» Interview With Finland-based Guitarist Pauli Saksa

» New MBA in the Music Industry Promises to Meet Music Industry Challenges in the 21st Century

Industry Interviews Directory



» [2017-11-21] Joint Statement By The Nordic Musicians' Unions And British Musicians' Union; Discussions On The Issue Of Gender Inequality, Sexism And Sexual Harassment, The Scale Of Which Had Been Highlighted By The Recent #metoo Campaign

» [2017-11-13] Women Make An Impact On The 2018 MPG Awards Shortlist; Nearly A Quarter Of Those Named This Year Are Female, Proving That Music Production Is No Longer A Bastion For The Boys

» [2017-11-13] The Nashville Musicians Sound Healthcare Plan Rolls Out; Sound Healthcare & Financial Announced The Formation Of A True Group Health Insurance Policy Plan For Musicians And Industry Professionals

» [2017-11-09] Streaming & Listening Diversity - Spotify Case Study; Will Artists Have An Easier Time Finding An Audience, Or Will Streaming Focus Global Attention On A Small Number Of Stars?

» [2017-11-09] Two-Sides Of Copyright Finance: Sound Royalties & Kobalt; Sound Royalties Unearths Millions In Undistributed Royalties While Kobalt Launches Fund To Invest In Music Copyright

» [2017-11-08] Career Moves: ROLI, Live Nation Sweden, Music Glue, BBR Music Group, Warner/Chappell Music Spain & Blue Night Soundscapes; ROLI Chief Creative Officer, Live Nation Sweden Managing Directors, Music Glue Global Head Of Business Development, BBR Music Group VP Of International, Warner/Chappell Music Spain Managing Director And Blue Night Director Of Music Clearance

» [2017-11-08] Europe's Digital Music Leaders Form Alliance; European Digital Music Companies Launch Of Digital Music Europe

» [2017-11-05] Pandora Subscriber Base Grows To Over 5 Million; Pandora Premium Paid Subscribers Cross The 1 Million Milestone In October 2017

» [2017-11-05] Hybrid Studios Announces Online Mastering Services; Engineers Billy Klein And Brian Frederick Spearhead New Online Mastering Effort Through OC Studio

» [2017-11-05] Music Industry Betting On VR & AR For New Revenue; The Music Industry Is Making An Early Bet On VR & AR To Create New Revenue Streams Across All Their Lines Of Business

» [2017-11-04] Sound Royalties Unearths Millions In Undistributed Royalties; Nearly $14 Million In Undistributed Royalties Has Been Found By Music-focused Finance Firm Sound Royalties

» [2017-11-02] MusicDish*China October China Label Music Releases And Charts; Several Tracks From October Releases Have Charted On Chinese Music Portal Kanjian ING Top 10 Weekly Chart
MusicDish Advertising Network

follow MusicDish on
Follow MusicDish on Twitter

Mi2N Music PR

Hybrid Studios To Sponsor Unsigned Only 2018

Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

LOVE MY COUNTRY! Is The Ultimate Compilation Series Featuring 20 Hot New Hits

Getting Restless

Your Favorite Color Releases "Heartache"

Melvin Alan Album "Wonderful Life"

Jean Louisa Kelly Presents A Personal Collection Of Songs From The American Standards And Musical Theater



Websites: Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network
Services: Submit Article | Submit News | Submit Video | Artist Development | Premium PR Distribution

Copyright © 1997-2017 MusicDish LLC., all rights reserved.
About MusicDish e-Journal | Contact Us | Advertise | RSS | Internships