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2002: A Make or Break Year For CD Copy-Protection
As CDs begin their dip in sales and lawyers expand their legal fights to the 'sons of Napster', record labels have been busy developing ways to protect what is perhaps the largest loophole in achieving an end-to-end secure music delivery system: the CD. Over the years, in part due to the lack of digital mainstream music, in part to the proliferation of cheap and ever-faster CD-RWs, in part to the ease of encoding to the MP3 format, consumers have increasingly associated music with ripping-encoding-burning, whether it be the newest release or CD stored in the attic.
This reality has focused labels' attention on copy-protection technology. Major and independents labels such as BMG, EMI, Fahrenheit Entertainment, and Sunbird Records have made tepid steps towards protecting new CD releases. Universal Music Group has even gone so far as to announce that it anticipates all news releases employing some type of copy protection by mid-2002. It is not the few label releases though (most are shrouded in secrecy) that should catch your attention, but those deals with major players in the CD manufacturing sector. Midbar Tech & Macrovision have been particularly aggressive in reaching out to various players in this market, including Sonopress, CDI and Datarius, providing labels with a one-stop shop.
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Label |
Copy-protection Provider |
Nature of the Deal |
|
BMG Entertainment |
Midbar Tech |
Natalie Imbruglia's release "White Lilies Island" |
|
SunnComm |
Evaluation agreement for MediaClôQ Digital Content Cloaking Technology |
|
EMI Recorded Music |
BayView Systems |
Duolizer technology used for the advance release of new music to the media |
|
Fahrenheit Entertainment |
SunnComm |
"Charley Pride — A Tribute to Jim Reeves" release |
|
Sunbird Records |
SunnComm |
Len Doolin's release "Once in a Lifetime," |
|
All major labels |
Midbar Tech |
Implementation of Cactus Data Shield (CDS) |
|
Macrovision / TTR Technologies |
initial beta test of SAFEAUDIO Toolkit for CD-audio copy-protection |
|
CD Manufacturer / Replicators |
Copy-protection Provider |
Nature of the Deal |
|
Sonopress GmbH |
Midbar Tech |
Protect select Sonopress commercial releases in major markets |
|
SunnComm |
Implementation of MediaClo¯Q Technology into European manufacturing facilities located (Germany, Spain, UK) |
|
Macrovision |
First SafeAudio Worldwide Reseller |
|
CDI |
Midbar Tech |
integrate Cactus Data Shield (CDS) into optical disc production facilities globally (New York, California, Canada, Israel and France) |
|
DaTARIUS Technologies |
Midbar Tech |
Support Cactus Data Shield (CDS) in test equipment and process optimization tools |
|
Macrovision |
Support SAFEAUDIO Audio CD Copy Protection technology |
|
Toolex Data Handling, Eclipse Data Technologies, DCA, Inc. |
Macrovision |
Support SAFEAUDIO Audio CD Copy Protection technology |
While 2002 may be a watershed year for CD protection, the majors still face an uphill battle, both on the legal front and from skeptical consumers. BMG, which released Natalie Imbruglia's latest CD "White Lilies Island" last month, recently announced it would issue replacement non copy-protected CDs in response to complaints of technical difficulties by British consumers. The Imbruglia CD used Midbar Tech's Cactus Data Shield technology.
A research report "Have CD Music Sales Peaked?" released by Raymond James & Associates illustrates the major technical challenges faced by copy-protection system: backward compatibility. "Specifically, the placement of a copy-prevention signal in a new CD may mean that some versions of CD players in use by consumers today will not play them. At least two labels have attempted to market such CDs, and we're disappointed with the results because too may CD players were not able to use them."
Legal uncertainties regarding labeling and privacy may also slow the spread of copy-protected CDs. On March 8, 2001, Fahrenheit Entertainment and Sunncomm were sued for violating privacy rights and business practices under California State law. The suit specifically alleges that Fahrenheit
- failed to disclose that unlike standard CDs, the "Charley Pride - A Tribute to Jim Reeves" will not work on standard PC equipped audio CD players
- included proprietary in conjunction with Sunncomm technology that "tracks, stores, and disseminates specific consumer personal identifying information, listening data, and downloading habits to entities beyond the control of the consumer," without an opt-out option.
The growing controversy around copy-protected CDs brought the British Phonographic Industry (BPI), which represents the interests of British record companies, to issue guidelines on the adoption of copy-protected CDs to its members. The association warns members that inadequate labeling could lead to complaints to "Trading Standards who could take the view that trades descriptions legislation has been breached." Specifically, the Trade Descriptions Act of 1968 provides "that it is an offence for any person, in the course of a trade or business, to apply false trade description to any goods; or to supply, or offer to supply any goods to which a false trade description is applied."
"The potential problem is that the music CD purchaser is entitled to assume that the CD will play on any equipment that plays unprotected CDs, unless labelled otherwise. The failure to label a CD amounts to ... an 'indirect indication' that the CD is 'fit for the purpose' of playing on any equipment. The failure to make it clear if there are any exceptions could amount to a false trade description."
Labels have thus far been very secretive of which releases include copy-protected technology in an attempt to quietly make a transition between unprotected and copy-protected CDs. Just as occurred with the labeling of genetically modified foods in Europe and DRM-free digital music formats such as mp3, comprehensive CD labeling by the labels could bring a quick end to the copy-protection experiment.
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