MusicDish e-Journal - March 22, 2018
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The G-Man
Archive of Articles

Scott G, who writes and records under the name The G-Man, is a Creative Director of the National Association of Record Industry Professionals (NARIP), a member of NARAS ( and writes about music for many organizations, including Los Angeles Music Network. His artist and product reviews are found all over the Internet via the Immedia Wire Service.

Beginning with songs for his plays "Partial Eclipse" (California Repertory Theatre) and "Secret Sex" (Basement Theatre), he began crafting songs for a new form of music known as grin groove, which fuses the beats of dance music with the melodies of pop music.

The G-Man's albums are released by Delvian Records. Grin Groove (2002) and Electro Bop (2003) have been hailed as sonic masterpieces by reviewers, and tracks are being played in clubs around the globe: Hollywood, Moscow, Paris, Amsterdam, Brazil, Spain, Australia, and more. In January, 2004, Delvian Records released THE PLATINUM AGE OF THE REMIX, with G-Man songs in dance/trance mixes by Matt Forger (Michael Jackson, Paul McCartney) and many others. In March of 2005, Delvian released SONIC TONIC, a work which brings electro-pop together with trance and rave tracks.

His songs and albums are on iTunes.

His songs have been called "Moby meets Bowie" (by producer Pete Anderson), "Moby meets Devo" (by TV producer Paul Rich), and "The rhythm of machines with melodies of the heart" (by music writer Janis Amy).

He truly bridges the worlds of music journalism and music creation. He was named Journalist of the Year at the 1999 Los Angeles Music Awards; he was named Electronica Artist of the Year by the 2002 Los Angeles Music Awards and was the recipient of Trance Album of the Year in 2004, also by the LAMA.

Scott is also the owner of G-Man Music & Radical Radio, where he produces award-winning radio commercials and composes music for both radio and TV spots.

In addition to, you can read The G-Man at:

» [2018-03-09] Round Hill Music And Zync Sign Madge To Joint Venture; JV Publishing Venture To Support And Expand Zync's Successful Rights Representation Business

» [2018-03-03] PPL And PRS For Music Launch Licensing Joint Venture; Licensing Of Music Played In Public Now Administered By New Leicester-based Joint Venture, PPL PRS Ltd

» [2018-02-27] Music Festivals And Conferences Pledge To Tackle Gender Inequality; Keychange Initiative Encourages Gender Balance In Music By End Of 2022

» [2018-02-21] Briony Turner And Alec Boateng Promoted To Co-Heads Of A&R, Atlantic Records UK; Turner And Boateng Will Oversee The Atlantic A&R Team, Joint Projects, As Well As Maintaining Their Own Artist Rosters

» [2018-02-21] ICE And Facebook Reach Multi-Territory Music Licensing Agreement; New Deal Will See Songwriters And Composers Remunerated

» [2018-02-20] B-Reel Named Top 10 Most Innovative Company In Music By Fast Company; Global Creative Agency Receives Honor For Its Award-Winning Gorillaz Campaign

» [2018-02-18] YG PLUS And Gracenote To Bring K-POP To Fans Around The World; Gracenote And YG PLUS To Make All K-POP Music More Searchable And Discoverable On Global And Regional Streaming Music Platforms And Services

» [2018-02-17] VNUE Inc. To Acquire Music Rights Startup Soundstr; VNUE Acquisition Aims To Ensure A Fairer Royalty System

» [2018-02-17] Is Podcasting The New Radio?; 25% Of Surveyed Americans Say They've Listened To A Podcast In The Past Month, Up From Less Than 10% In 2008

» [2018-02-01] Insomniac Announces Inaugural Electric Daisy Carnival China Set To Debut In Shanghai; China Marks EDC's Second Location On The Asian Continent

» [2018-02-01] Viberate & Imogen Heap Strive To Give Equal Opportunity To Every Artist; Heap's Main Role In Viberate's Advisory Team Will Be To Help Further Guide Us Toward A Second To None Service For The Live Music Segment

» [2018-01-22] Italian Independent Music Collective Fil1993 Group Signs With MusicDish*China; MusicDish*China Will Be Developing Their Online Presence And Social Media In China As Well As Releasing Their Catalogue To Chinese Streaming Music Services
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