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WorkshopLive - The Site to Learn to Play and Play Better
Learn to play an instrument online with WorkshopLive. Choose among guitar, keyboard and bass lessons and learn to play your instrument using WorkshopLive's own interactive player, which lets you control the way you learn. You can select from a variety of teachers for each instrument and style.
As a subscriber, you:
will have unlimited 24/7/365 access to over a 1000 lessons
can choose between more than 40 experienced teachers and great performers
can learn to play different styles, including rock, blues, jazz, classical, acoustic, fingerstyle, slide guitar, bending, and theory
can choose your lessons from three different skill levels: Beginner, intermediate and advanced
can print all exercises, just in case you can't get online
can manipulate the interactive music player: Control tempo, select sections of the lesson and loop it over; show note names, fingerings, scale degrees; choose from tablature, standard music notation and /or animated instrument view. All our lessons are in high-quality video-audio format
can learn to play popular songs
have access to our music glossary with over a 1000 definitions
Discover WorkshopLive.com and get valuable information from an ever evolving catalog of subjects- learn about your favorite artists, read gear reviews and quotes by famous musicians, get practical advice from our How-To guides, or watch and listen to our free video and audio samples, including live performances of our teachers.
Do you have a musical question? Do you want to talk about music, or do you want to just hang out and read what others have to say? Join WorkshopLive's community in The Practiceroom blog, in our Forum, or here at MySpace.
If you have a technical problem or a musical question, our Live Support is here to help you, seven days a week, even if you're not a subscriber.
Subscribe to WorkshopLive and you will never run out of things to learn.
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» [2017-03-16] Jackson Wong Named As Managing Director Of Warner Music China; Wong Will Oversee The Day-to-day Running Of WMG's Beijing Office And Is Also Expected To Expand The Company's Business In Mainland China
» [2017-03-09] Avex Group Rediscovers Mainland China Market; Japan-based Entertainment Management Firm Grants Chinese Platform NetEase Cloud Music An Exclusive License To Its Copyrighted Music
» [2017-03-08] Peermusic And Hamshore Tang Win Lawsuit Against Chinese Label YY; Chinese Court Ruled That YY Should Immediately Cease The Infringement Of The Work's Mechanical, Performance And Digital Rights
» [2017-02-22] Earl & The Steadies Sign With MusicDish For Representation In China; The Band Will Tour Mainland China In May In Support Of The Release Of Their 2016 Album "Love Revolution"
» [2017-02-18] Armada Night - China; The Amsterdam-based Record Label Has Announced The First-ever Armada Night China Tour
» [2017-02-16] NYC's Chinese-American MC Bohan Phoenix Releases New EP 'JALA'; Brooklyn-based, Chinese-transplant Bohan Phoenix Unites Cultures And Expresses His Mixed Identity
» [2017-02-15] Music Marketing Agency Syn Launches Beijing Office; Syn Announced The Official Launch Of The Beijing Office, Broadening The Horizons Of The Tokyo-based Music Marketing Agency
» [2017-02-15] Warner/Chappell Production Music Promotes Aaron Gant To Senior Vice President Of Production; Warner/Chappell Promotes Aaron Gant To Senior Vice President Of Production After 25 Years In The Industry
» [2017-02-08] World Blues & Roots Band Harper And Midwest Kind China Tour; The 2-week Tour Will Bring Their Unique Sound To Beijing, Tianjin, Shanghai, Wuhan And Shijiazhuang
» [2017-02-07] ASCAP Expands Asia-Pacific Strategy; Leading US PRO Engages CML Consultancy Services To Work On Asia-Pacific Strategy And Revenue Growth Opportunities
» [2017-02-05] Why Do So Many Music Technology Startups Fail?; A Major Problem Is That Many Music Industry Startups Do Not Actually Test Their Riskiest Assumptions When Developing A Strategy
» [2017-01-28] New Report Debates Future Of Arts & Culture Ticketing; REMIX Report Sheds Light On Whether Arts And Culture Organisations Should Be Creating In-house Ticketing Solutions Or Using Third-party Platforms
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