MusicDish e-Journal - November 17, 2017
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Emily Haw侯君秀
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Emily 侯君秀 is a singer-songwriter from Singapore. Also a free lance voice actress, she has acted, written and sung on the opening and ending songs of the Japan-Singapore web-based animation series, Gacha Gacha, titled "Mirai (The Future)" and "Tomodachi (Friend)" respectively. She has performed at various events including Singapore Street Festival, Singapore Toy & Comic Convention, COSFEST, library@esplanade and MAAD Sounds.

A musician herself, she has keen interest in the future of music, how it would be made, marketed and distributed. She interviews various stakeholders in the music industry and writes for www.musicbizinasia.blogspot.com, which is an independent blog that explores current and future business models in the music industry in Singapore and Asia. Some of the heavy weight interviewees she has featured include CEO of COMPASS Singapore, Dr Edmund Lam, President of the Singapore Music Society, Mr Graham Perkins, Multi-award winning singer-songwriter, Wu Jiahui and many more.

Emily is also the founder and manager of trans-media storytelling company Storytell Music LLP to produce, publish and distribute its key Project: <等>WAITING, which is a Chinese song, a photo-audio mini series, a DVD, an exhibition and a fund raising community project. Featured and interviewed by Channel News Asia, The Straits Times, The New Paper, major radio stations YES933FM, Love972FM, UFM100.3FM, Live938FM and magazines I-weekly, U-weekly. For more information, please visit www.iamwaiting.sg.


» [2017-11-13] Women Make An Impact On The 2018 MPG Awards Shortlist; Nearly A Quarter Of Those Named This Year Are Female, Proving That Music Production Is No Longer A Bastion For The Boys

» [2017-11-13] The Nashville Musicians Sound Healthcare Plan Rolls Out; Sound Healthcare & Financial Announced The Formation Of A True Group Health Insurance Policy Plan For Musicians And Industry Professionals

» [2017-11-09] Streaming & Listening Diversity - Spotify Case Study; Will Artists Have An Easier Time Finding An Audience, Or Will Streaming Focus Global Attention On A Small Number Of Stars?

» [2017-11-09] Two-Sides Of Copyright Finance: Sound Royalties & Kobalt; Sound Royalties Unearths Millions In Undistributed Royalties While Kobalt Launches Fund To Invest In Music Copyright

» [2017-11-08] Career Moves: ROLI, Live Nation Sweden, Music Glue, BBR Music Group, Warner/Chappell Music Spain & Blue Night Soundscapes; ROLI Chief Creative Officer, Live Nation Sweden Managing Directors, Music Glue Global Head Of Business Development, BBR Music Group VP Of International, Warner/Chappell Music Spain Managing Director And Blue Night Director Of Music Clearance

» [2017-11-08] Europe's Digital Music Leaders Form Alliance; European Digital Music Companies Launch Of Digital Music Europe

» [2017-11-05] Pandora Subscriber Base Grows To Over 5 Million; Pandora Premium Paid Subscribers Cross The 1 Million Milestone In October 2017

» [2017-11-05] Hybrid Studios Announces Online Mastering Services; Engineers Billy Klein And Brian Frederick Spearhead New Online Mastering Effort Through OC Studio

» [2017-11-05] Music Industry Betting On VR & AR For New Revenue; The Music Industry Is Making An Early Bet On VR & AR To Create New Revenue Streams Across All Their Lines Of Business

» [2017-11-04] Sound Royalties Unearths Millions In Undistributed Royalties; Nearly $14 Million In Undistributed Royalties Has Been Found By Music-focused Finance Firm Sound Royalties

» [2017-11-02] MusicDish*China October China Label Music Releases And Charts; Several Tracks From October Releases Have Charted On Chinese Music Portal Kanjian ING Top 10 Weekly Chart

» [2017-11-01] Deezer Becomes Miami Dolphins' Official Music Partner; Deezer's Flirtation With The Sports World Appears To Have Just Begun
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