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Emily 侯君秀 is a singer-songwriter from Singapore. Also a free lance voice actress, she has acted, written and sung on the opening and ending songs of the Japan-Singapore web-based animation series, Gacha Gacha, titled "Mirai (The Future)" and "Tomodachi (Friend)" respectively. She has performed at various events including Singapore Street Festival, Singapore Toy & Comic Convention, COSFEST, library@esplanade and MAAD Sounds.
A musician herself, she has keen interest in the future of music, how it would be made, marketed and distributed. She interviews various stakeholders in the music industry and writes for www.musicbizinasia.blogspot.com, which is an independent blog that explores current and future business models in the music industry in Singapore and Asia. Some of the heavy weight interviewees she has featured include CEO of COMPASS Singapore, Dr Edmund Lam, President of the Singapore Music Society, Mr Graham Perkins, Multi-award winning singer-songwriter, Wu Jiahui and many more.
Emily is also the founder and manager of trans-media storytelling company Storytell Music LLP to produce, publish and distribute its key Project: <等>WAITING, which is a Chinese song, a photo-audio mini series, a DVD, an exhibition and a fund raising community project. Featured and interviewed by Channel News Asia, The Straits Times, The New Paper, major radio stations YES933FM, Love972FM, UFM100.3FM, Live938FM and magazines I-weekly, U-weekly. For more information, please visit www.iamwaiting.sg.
» [2017-03-16] Jackson Wong Named As Managing Director Of Warner Music China; Wong Will Oversee The Day-to-day Running Of WMG's Beijing Office And Is Also Expected To Expand The Company's Business In Mainland China
» [2017-03-09] Avex Group Rediscovers Mainland China Market; Japan-based Entertainment Management Firm Grants Chinese Platform NetEase Cloud Music An Exclusive License To Its Copyrighted Music
» [2017-03-08] Peermusic And Hamshore Tang Win Lawsuit Against Chinese Label YY; Chinese Court Ruled That YY Should Immediately Cease The Infringement Of The Work's Mechanical, Performance And Digital Rights
» [2017-02-22] Earl & The Steadies Sign With MusicDish For Representation In China; The Band Will Tour Mainland China In May In Support Of The Release Of Their 2016 Album "Love Revolution"
» [2017-02-18] Armada Night - China; The Amsterdam-based Record Label Has Announced The First-ever Armada Night China Tour
» [2017-02-16] NYC's Chinese-American MC Bohan Phoenix Releases New EP 'JALA'; Brooklyn-based, Chinese-transplant Bohan Phoenix Unites Cultures And Expresses His Mixed Identity
» [2017-02-15] Music Marketing Agency Syn Launches Beijing Office; Syn Announced The Official Launch Of The Beijing Office, Broadening The Horizons Of The Tokyo-based Music Marketing Agency
» [2017-02-15] Warner/Chappell Production Music Promotes Aaron Gant To Senior Vice President Of Production; Warner/Chappell Promotes Aaron Gant To Senior Vice President Of Production After 25 Years In The Industry
» [2017-02-08] World Blues & Roots Band Harper And Midwest Kind China Tour; The 2-week Tour Will Bring Their Unique Sound To Beijing, Tianjin, Shanghai, Wuhan And Shijiazhuang
» [2017-02-07] ASCAP Expands Asia-Pacific Strategy; Leading US PRO Engages CML Consultancy Services To Work On Asia-Pacific Strategy And Revenue Growth Opportunities
» [2017-02-05] Why Do So Many Music Technology Startups Fail?; A Major Problem Is That Many Music Industry Startups Do Not Actually Test Their Riskiest Assumptions When Developing A Strategy
» [2017-01-28] New Report Debates Future Of Arts & Culture Ticketing; REMIX Report Sheds Light On Whether Arts And Culture Organisations Should Be Creating In-house Ticketing Solutions Or Using Third-party Platforms
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