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Taipei's "Underground Society": Should We Stay Or Should We Go?
Taipei's "Underground Society": Should We Stay Or Should We Go?
By Xing Yan Chen
(more articles from this author)
2012-09-14
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台北「地下社会」live house歇业事件的启示

时间:2012年9月22日周六 14:00~16:00
地点:蓬蒿剧场(北京市东城区东棉花胡同35号(中央戏剧学院正门向东100米)
嘉宾:何东洪 (辅仁大学心理系副教授)
中国流行音乐研究小组博客 - 豆瓣小站

2012 年7月,台湾的独立音乐圈掀起一波不算小的风暴,开业近16年,位于台北南区「文教」区的师大路上的Live house 「地下社会」,因为所在的师大商圈的居民「自救会」近一年来对于师大商圈的商店的举发与强硬驱赶的风暴下,成为驱赶对象。地下社会发起的「live house要正名」运动,从400多人参与立法院记者会,到200多人围堵文化部长龙应台,以及7月15日公告歇业当天乐团从下午到凌晨接力免费演唱,并 在当晚于师大公园聚集2、3百人的守夜。(地下社会虽于2012年8月15号复业,但问题与抗争将持续着)

这一波的抗议,算是台湾独立音乐场景发展史中最受社会大众及媒体关注的事件之一。因此对于这个事件的讨论,将有助于我们理解与触及台湾青年音乐文化中的几个重要议题。

随着揭开这个事件的始末,我将跟大家分享以下几个议题:
1. 小型表演场所(100人以下)对于青年文化/独立音乐文化的意义。
2. 独立音乐/摇滚乐文化之于政府的文化创意产业「吹捧」的意识型态关系与现实处境。
3. 青年的独立音乐文化作为一个集体的社群,何以在台湾社会中与都市中产阶级的文化/小区产生矛盾与冲突?有无共处的可能性?

何东洪在英国兰卡斯特大学读完博士以后,在台湾辅仁大学的心理系当副教授。他的研究领域包括方向包括流行音乐研究、青年文化与政策、文化经济学、当代批判理论、社会科学质性研究等。何东洪也是「地下社会」live house的创办人。

Related MusicDish e-Journal Articles:
» Taipei's "Underground Society": Should We Stay Or Should We Go? - The revolt can help to understand some important trends within Taiwan's youth musical culture (2012-09-14)


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