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Resonating Emotions: Researching Mainland China's New Folk and its Collectives (Chinese version)
Resonating Emotions: Researching Mainland China's New Folk and its Collectives (Chinese version)
By Eric de Fontenay (Founder & Publisher)
(more articles from this author)
2012-10-22
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“性情之响” : 对中国大陆新民谣音乐及其群体的研究(2002-2012)

时间:2012年10月28日周日 15:00~17:00
地点:蓬蒿剧场(北京市东城区东棉花胡同35号(中央戏剧学院正门向东100米)
嘉宾:罗锦文(清华大学社会学系博士候选人)
中国流行音乐研究小组博客:http://blog.sina.com.cn/liuxingyinyueyanjiu
豆瓣小站:http://site.douban.com/130836

历经十年的发展,中国大陆新民谣的受众日益扩大,受众群体开始扩大到社会的传统精英阶层,新民谣歌手也从江湖艺人上升为“独立音乐人”。在不同的分析维度 之下,民谣有着不同的意涵。在民族音乐学中,它原指不同民族不同地区的本土歌曲,传唱广泛,历时弥久,是当地人的情感中介与凝聚力来源。在文化社会学中, 民谣代表着下层民众的民声,多以隐喻方式来表达对政治的讽喻。而在不同历史阶段,不同的社会情境中,民谣又有着不同的文化表达、表现方式、发展道路与社会 意 义。本项研究首先将从情感、创作主体、文本表达、创作手法、传播手段以及受众群体等方面对新民谣之“新”展开分析。

其次,从结构层面来看,新民谣的这种“上升”态势,源于以下社会空间的开放与发展:其一,社会现实与政治“蓝图”之间的结构化罅隙,使得民谣歌手有了表达空 间。其二,漂泊是当下青年人的生活常态,使得民谣歌曲有了情感认同的空间。其三,大量酒吧,咖啡厅等营业性场所存在为民谣歌手的存在提供了现场场所空间; 其四,分众化的个性网络平台,使得民谣歌手的作品传播与作品意义交流有了固定的网络空间;其五,不依赖体制生存的自由职业越来越被社会承认,使得包括民谣 歌手在内及其周边群体等获得了职业发展空间。其六,不同社会群体对于新民谣群体有着不同的意义建构,使得新民谣有了在更大范围内传播的空间。

新民谣上升的阈限取决于传统精英群体与民谣歌手之间的互动影响,其自在边缘的主动性与被动性,取决于其在多大程度上影响其受众群体的行为。

总体而言,上升的新民谣,不仅仅指代了新民谣群体的沉浮,也暗喻了整个社会结构的新的潜势:多元认同为转型社会的不同社会群体情感凝聚提供了前提;个体能够越来越不依赖于体制生存与发展;宏大政治及其意识形态越来越远离人们的日常生活与个体生命体验。

嘉宾介绍:
罗锦文 女 清华大学社会学系09级博士研究生 自09年起从事新民谣研究。

Related MusicDish e-Journal Articles:
» Resonating Emotions: Researching Mainland China's New Folk and its Collectives (2002-2012) - In the course of the last decade, mainland China's New Folk has expanded its audience to include the traditional elite (2012-10-22)


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