MusicDish e-Journal - June 24, 2017
MusicDish Advertising Network
» HOME » INSIDER SCOOP » CAREER TIPS » MUSIC SPOTLIGHT » MUSICDISH*CHINA
» INDUSTRY INTERVIEWS » NEWS BEAT » DIGITAL SKOOL » OPEN REVIEW » MUSICDISH EDELWEISS
Search MusicDish e-Journal (Advanced)
Subscribe To MusicDish e-Journal
About | Contact | Advertise | RSS | Submit Article | Submit News | Artist Development | Premium PR Distribution
Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network

TypeWriter: First Singapore band to perform at Liverpool's The Cavern Club
Playing seven shows in 12 days in the UK, TypeWriter became the first Singapore band to perform at one of this year's International Pop Overthrow Festival
By Emily Haw侯君秀
(more articles from this author)
2013-06-04
Comment | Email | Print | RSS

Whether is it for a new act or an established artist, performing live these days is an essential way to not only reach out to more fans, but also as a source of income. Many artists or bands would love to be engaged for an overseas gig in order to increase their exposure to a wider audience. However, touring costs can be high, especially for overseas stints, and while there are grants available from various organizations such as the Media Development Authority and National Arts Council to cover partial touring costs, many Singaporean artists and bands find it a challenge to continue doing so. Nevertheless, it has not stopped Singapore acts such as local powerpop band TypeWriter who are seasoned performers from pushing themselves and exploring foreign territory.

As how guitarist Patrick Chng explains, "For an indie band like us, I don't think it's sustainable to keep touring overseas because it is expensive and the grants or funding only covers a small percentage of the cost. We did it for the experience and to see and meet other musicians in their own backyard. We've definitely learned a lot and it was an amazing experience. It has brought the band closer and opened our eyes to a lot of things. You can't put a price on that."

Playing seven shows in 12 days in the UK, TypeWriter became the first Singapore band to perform at one of this year's International Pop Overthrow Festival held in Liverpool from 14th to 21st May. In particular, TypeWriter had the opportunity to perform at the legendary Cavern Club, where the legendary Beatles played in the early 60s as the club's resident band.

We caught up with the band after their return to share more on their "English Breakfast" experience.

How did the opportunity to play at IPO come about? Was there an intention to play IPO all this while?

International Pop Overthrow is a powerpop music festival that's been around for over 10 years. We love powerpop music and I think TypeWriter's music is aligned to the sensibilities of the genre. When we came under KAMCO Music management last year, we talked about playing overseas and IPO was a festival we thought would be perfect for us. So our manager Kevin Mathews wrote to them to check us out and they wrote back with an invitation to perform at IPO Liverpool.

How did you manage to arrange for the other gigs other than the one at IPO? Did you work with a local agent over there?

We just wrote to a lot of people and venues for the other gigs. It wasn't easy at all. We know a friend in Cornwall who arranged a gig in Plymouth and Cornwall for us.

What was the whole experience like, especially since this is the first time for TypeWriter to perform overseas? Was there additional pressure?

We went without any expectations as we knew that we're totally unknown in the UK. Let's be honest. I don't think anyone in the UK will be excited to watch an unknown band from Singapore. The pressure that we put on ourselves was to perform well at every gig.

How did the audience take to the band's music? What was the size of the crowd like? Did you have the opportunity to sell your music or merchandise there?

We were pleasantly surprised by the response. Apart from Liverpool, most of the places we played at were small venues averaging about 20 to 30 people at each gig. Yes there were opportunities to sell our merchandise. We brought our CDs over and gave them away free at IPO. We wanted to spread our music so we thought the best way is to just give out our CDs to people who are interested.

What was it like meeting other bands who were performing at the festival? Any interaction of sorts on or off stage?

Actually I think we met more artists at the other venues than at the IPO festival. We had dinner with Axel Loughrey who supported us at 12 Bar Club in London. We met a really talented jazz guitarist Cy Brandl and other singer-songwriters at The Vauxhall Quay in Plymouth. A few of us met Pugwash and Farrah when we went to watch them at a small venue in Brixton. We did chat with and checked out a few bands at IPO Liverpool. It was really inspiring to watch the other performers.

How was the tour funded? How was NAC and Gibson involved? Was getting funding challenging? What were the sponsors' expectations? Any advice to other bands who would like to do the same?

We got a grant from NAC which covered almost 70% of our airfare. The rest was funded by us. Gibson supported us by lending us guitars in London. Yes, it was challenging to get funding and we're grateful to the NAC for their support. Bands who would like to do the same must be prepared to fork out most of their money.

What are TypeWriter's future plans? Will TypeWriter be actively looking at having more overseas gigs? If yes, which ones? Will you be focusing on touring in Asia?

We've just roped in a fifth member Alan Bok into the band so our immediate plan is to rehearse as a quintet. We plan to record an EP by end of the year so we're not thinking of touring overseas at the moment. We have contacts in Beijing but the opportunity for IPO Liverpool came up first. Maybe next time.

Photographs courtesy of TypeWriter/Lennat Mak


Home » Music Spotlight » TypeWriter: First Singapore band to perform at Liverpool's The Cavern Club
Permalink:http://www.musicdish.com/mag/?id=13405
Email |Print |Comment |RSS

back | top


MusicDish Advertising Network

Music Spotlight

» Nick Brodeur Wins Studio Package From ReverbNation

» Earl And The Steadies To Play In Seoul For "Back To The Retro" Party

» Nielsen Release Music 360 China Report

» New Island Entertainment Presents A F8ckin Birthday Extravaganza at Santos Party House

» Toyota 'Feeling the Street' Global Street Music Campaign

Music Spotlight Directory



» [2017-06-21] MusicDish Music Releases In China: SLC, HearIM, Tom Ricci, Voodoo Swing; MusicDish*China Has Been Releasing Independent Music To The Major Music Platforms, Reaching Over 90% Of Mainland Chinese Music Listeners

» [2017-06-21] ASCAP And YouTube Reach Multi-Year Agreement For US Performance Rights; The Mutual Goal Of This Agreement Is To Work Together To Ensure That ASCAP Members Get Paid More Fairly And Accurately For The Use Of Their Music On YouTube

» [2017-06-20] Supreme Court Rules Unanimously In Favor Of The Slants; Asian-American Rock Band Wins Long-running Battle With The Trademark Office Over Their Name In A Victory For Free Speech

» [2017-06-18] Longtail Music Provides An Alternative To The On-Demand Algorithm; Live Broadcasts Are Brought To The Forefront To Assist Listeners In Music Discovery

» [2017-06-16] Magna Entertainment Invests In Rock Icon Label Loud & Proud Records; Investment To Support Ongoing Artist Development, Building On The 25-Year Track Record Of Industry Veteran Tom Lipsky

» [2017-06-14] Analysis Of Merlin's Revenue Distributions; Audio Streaming Growth Outstrips Video 3-to-1 As Distributions To Independent Labels Hit $353m

» [2017-06-14] Rockwood Music Hall First Virtualized Venue To Livestream Concerts In VR; Social Music VR Platform Endless Riff Has Announced A Partnership With NYC's Rockwood Music Hall

» [2017-06-11] Vivid Seats Reveals Summer Concert Pricing Preview; Top-Selling Tours, Music Festivals And The Cost To Be There

» [2017-06-08] Nick Brodeur Wins Studio Package From ReverbNation; Laguna Beach Singer/guitarist Awarded Recording Time With Orange County Production House

» [2017-06-08] The Changing Face Of China's Music Market; The Session Examined Some Of The Major Trends Shaping The Music Industry's Transformation And Prospects For Its Future

» [2017-06-08] China Music Licensing Pioneer Mathew Daniel Moves To NetEase Cloud Music; Formerly President, International Of R2G, Mathew And His Partners Pioneered The Development Of The Music Licensing Market In China

» [2017-06-08] MusicDish Music Video Review: "CPR (Start Again)" By Metaract; "CPR (Start Again)" Is Basically About The Madness Happening In The World
MusicDish Advertising Network

follow MusicDish on
Follow MusicDish on Twitter

Mi2N Music PR

First Acts For ADE LIVE Announced: Hercules & Love Affair, Fatima Yamaha, Anna Of The North, Phlake, Vessels And More

Gospel Blues Singer/Songwriter, Kimberlee M. Leber, Reveals How To 'Fight The Good Fight Of Faith' In Her New Music Video

IndieNinja, An Artist Services Marketplace, Launches At A2IM Indie Week In NYC

Houston-Based Rapper Vile Intentionz And Guitar Instrumentalist Seismic Anamoly Release Their Latest Thought-Provoking Single "Solidz N Stripez"

'Where Is Your Heart?' From Award-Winning Album 'Pop' Released By NYC-Based Young Pals Music

Baserock Launches Immersive Bass-Frequency Backpack

GrooveShine New Album - So Cal Acoustic Funk Reggae & Instrumentals



Websites: Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network
Services: Submit Article | Submit News | Submit Video | Artist Development | Premium PR Distribution

Copyright © 1997-2017 MusicDish LLC., all rights reserved.
About MusicDish e-Journal | Contact Us | Advertise | RSS | Internships