MusicDish e-Journal - November 22, 2017
MusicDish Advertising Network
» HOME » INSIDER SCOOP » CAREER TIPS » MUSIC SPOTLIGHT » MUSICDISH*CHINA
» INDUSTRY INTERVIEWS » NEWS BEAT » DIGITAL SKOOL » OPEN REVIEW » MUSICDISH EDELWEISS
Search MusicDish e-Journal (Advanced)
Subscribe To MusicDish e-Journal
About | Contact | Advertise | RSS | Submit Article | Submit News | Artist Development | Premium PR Distribution
Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network

Tonya Rae's Contribution to 'Charting a Career Path'
Excerpt from Tag It's Songwriters in the New Millennium
By MusicDish
(more articles from this author)
2001-07-31
Comment | Email | Print | RSS

Tonya Rae
Independent Artist & Author, Indie's Guide To Music Success and Contact Info

QUESTION #8: Do you feel that you have been adequately compensated for the use of your work?

My next and my last point on the survey is this. Only 15% of those responding to the survey believed that they were being adequately compensated for their work. I am not sure where the writers believe they aren't being fairly compensated for their work.

QUESTION #12: Has Napster had an impact on your songwriting career?

However, only 5% said that Napster has had a negative impact on their career. I think Napster has its pros and cons, and I am not necessarily against Napster or those who use its services. But here are the pros and cons for me, in simple form: Pro being that people who can't afford and can't find the music they want on CD are able to get it. Freedom of Information act and all that. The Cons are that writers and performers aren't getting their cut and as a performer, I can tell you from an artist's standpoint, that that cut is very slim to begin with.

So, the statistical conflict between questions #8 and #12 confuses me. Don't get me wrong. I pay all of my writers up front, in cash, as soon as I press my CDs, even if they don't ask me too. I want the writers to get their money! But let's look at numbers.

A writer gets 7.55 cents in royalties per song under 5 minutes and an additional 1.45 cents for every minute or fraction of a minute thereafter. The typical indie artist presses 1000 CDs. The standard procedure is submission of the packing slip from the pressing plant to the Harry Fox Agency or a similar agency that collects mechanical royalties. The artist is then charged by Harry Fox Agency for writer royalties according to how many CDs were pressed (this is of course after you have applied for a mechanical license). So for 1000 CDs, the writer will be paid $75.50 in mechanical royalties by the Harry Fox Agency or its equivalent. In addition to that, the writers will also get royalties from radio airplay and karaoke sales, which are performance royalties. These royalties are collected by the Performing Rights Organizations, such as ASCAP, BMI, and SESAC.

In most cases, the writer did not pay for the production, marketing, distribution, and advertising costs of the CD their songs are on, so eventually this will be money in the bank, after the writer recoups the costs of the initial demo he or she created to pitch to the artist or label. That's the writer's side. Now lets look at the artist's side. Artists, except in the United Kingdom, do not get paid for the performance of a song on the radio as the writers do. We artists must pay to get your songs and ourselves promoted. A typical CD recorded in a master recording studio, with pressing, royalties and promotion costs, will be around $14,000.00. How does an artist recoup that amount? By touring and CD sales, right? Sure they do.

If an artists gets booked into a venue and makes $500 in CD sales and $500 for the venue, that gives the artist a $1000 right? I won't do the math for you here, there is a lot more detail in my book, Indie's Guide To Music Success and Contact Info, but out of the $1000, the booking agent gets 10%, the manager gets 10%, the IRS gets 33 1/3 %, the venue gets a percentage, and the artist still must pay for the promotion and marketing costs as well as staff. All of those people take it off the top, meaning out of the $1000. Their percentages are based on the gross amount from the CD sales and the performance. After the artist pays everyone their share, the artist is then left with the negative amount of $53.33. At this point, the artist hasn't even paid for the band members, the travel expenses or food costs, let alone paid a salary to himself or herself, and the artist is already in the hole for the amount of $53.33. Meanwhile, the songwriter has $75.50 in the bank for each song on my CD!

So what am I trying to say? That the writers should be happy they aren't the artists (unless of course they are artists also)! No really, what I am trying to show the writers is that artists don't make as much money as the writers do, even at the low rate the writers get per song. And that of course, the grass is always greener on the other side.


For the complete contribution by Tonya Rae, download
"Songwriters in the New Millennium: Charting a Career Path"


The authors of the report use the survey to identify what songwriters are and are not doing to further their career and discuss important points that songwriters should consider when mapping out their career.
FREE DOWNLOAD


Home » Career Tips » Tonya Rae's Contribution to 'Charting a Career Path'
Permalink:http://www.musicdish.com/mag/?id=4206
Email |Print |Comment |RSS

back | top


MusicDish Advertising Network

Career Tips

» The Nashville Musicians Sound Healthcare Plan Rolls Out

» Career Moves: Cinq Music, Songtrust, Def Jam, Warner Music, 117 Management & DPA

» The Production Music Association Now Accepting Entries For The 2017 Mark Awards

» Aloft Hotels And MTV Spotlight Top Asia Pacific Music Talent

» Deadline Looms - The 22nd Annual USA Songwriting Competition

Career Tips Directory



» [2017-11-21] Joint Statement By The Nordic Musicians' Unions And British Musicians' Union; Discussions On The Issue Of Gender Inequality, Sexism And Sexual Harassment, The Scale Of Which Had Been Highlighted By The Recent #metoo Campaign

» [2017-11-13] Women Make An Impact On The 2018 MPG Awards Shortlist; Nearly A Quarter Of Those Named This Year Are Female, Proving That Music Production Is No Longer A Bastion For The Boys

» [2017-11-13] The Nashville Musicians Sound Healthcare Plan Rolls Out; Sound Healthcare & Financial Announced The Formation Of A True Group Health Insurance Policy Plan For Musicians And Industry Professionals

» [2017-11-09] Streaming & Listening Diversity - Spotify Case Study; Will Artists Have An Easier Time Finding An Audience, Or Will Streaming Focus Global Attention On A Small Number Of Stars?

» [2017-11-09] Two-Sides Of Copyright Finance: Sound Royalties & Kobalt; Sound Royalties Unearths Millions In Undistributed Royalties While Kobalt Launches Fund To Invest In Music Copyright

» [2017-11-08] Career Moves: ROLI, Live Nation Sweden, Music Glue, BBR Music Group, Warner/Chappell Music Spain & Blue Night Soundscapes; ROLI Chief Creative Officer, Live Nation Sweden Managing Directors, Music Glue Global Head Of Business Development, BBR Music Group VP Of International, Warner/Chappell Music Spain Managing Director And Blue Night Director Of Music Clearance

» [2017-11-08] Europe's Digital Music Leaders Form Alliance; European Digital Music Companies Launch Of Digital Music Europe

» [2017-11-05] Pandora Subscriber Base Grows To Over 5 Million; Pandora Premium Paid Subscribers Cross The 1 Million Milestone In October 2017

» [2017-11-05] Hybrid Studios Announces Online Mastering Services; Engineers Billy Klein And Brian Frederick Spearhead New Online Mastering Effort Through OC Studio

» [2017-11-05] Music Industry Betting On VR & AR For New Revenue; The Music Industry Is Making An Early Bet On VR & AR To Create New Revenue Streams Across All Their Lines Of Business

» [2017-11-04] Sound Royalties Unearths Millions In Undistributed Royalties; Nearly $14 Million In Undistributed Royalties Has Been Found By Music-focused Finance Firm Sound Royalties

» [2017-11-02] MusicDish*China October China Label Music Releases And Charts; Several Tracks From October Releases Have Charted On Chinese Music Portal Kanjian ING Top 10 Weekly Chart
MusicDish Advertising Network

follow MusicDish on
Follow MusicDish on Twitter

Mi2N Music PR

Hybrid Studios To Sponsor Unsigned Only 2018

Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

LOVE MY COUNTRY! Is The Ultimate Compilation Series Featuring 20 Hot New Hits

Getting Restless

Your Favorite Color Releases "Heartache"

Melvin Alan Album "Wonderful Life"

Jean Louisa Kelly Presents A Personal Collection Of Songs From The American Standards And Musical Theater



Websites: Mi2N | MusicDish*China | MusicDish Network | MusicDishTV | Urban Music News Network
Services: Submit Article | Submit News | Submit Video | Artist Development | Premium PR Distribution

Copyright © 1997-2017 MusicDish LLC., all rights reserved.
About MusicDish e-Journal | Contact Us | Advertise | RSS | Internships